PAPER

MONADS explores the state of self-existence where the parts cannot be connected to become or transform to a whole body, while their increasing amount only adds to the degree of mess or confusion. The idea of speaking as material continually shifting is influenced by Mary Kelly’s book, Dialogue: On the Politics of Voice. The installation view of projection so that there is no clear physical edge the work can relate to is inspired by Marlene Duma’s book, Marlene Dumas: Measuring Your Own Grave.