《椿树》
  
 拆迁是一个颇为敏感的话题，本片取材于真实的故事，所有出演人员也是当时事件的参与者，本片运用微电影的形式真实呈现，以朴实无华的手法，讲述了一个关于拆迁的温暖故事。以一棵椿树为主线，以抒情悠扬的背景音乐，暖色调画面的映衬，阐释城市发展进程中，人们的观念、情感的冲突和变化。角色的鲜活感和真实度，也使影片更加地接地气。

《甲子之梦》
  
   这是一个生活在兰州的普通老人，他执着梦想，热爱足球。本片撷取了他日常生活的几个片段。从老人的角度叙事，更贴近自然与真实。场景的选择是足球场和家里。色调的处理上是明暗对比，更凸显生活的朴素简单与足球传递给老人的快乐、希望与梦想。最后的结尾是足球场上老人踢球、进球、抱球微笑的一组镜头，温暖、明亮、又充满希冀。
《The dream of sixty-year》
This is an ordinary old man who lives in Lanzhou. He is persistent his dream and love for football. The film shows his several pieces of everyday life. From the perspective of the elderly, it is closer to the nature and reality. The scene of selection is at football field and home. With the processing of light and shade color contrast, it describes how simple the life is and the old man’s joy, hope and dream can be brought by football. At the end of this film,the old man finally is playing ,holding and scoring with a smile,which is full of warmth, brightness and hope.

甲子之梦

《回家》
   艺术来源生活，又高于生活；以“微纪录”的形式对于平凡人的工作生活进行了诠释，这是一个关于回家的故事。讲述水泊峡电站员工杨勇在家庭与工作之间的选择，充满着等待、期盼、无奈与希望。影片用舒缓的节奏，将远离城市的电站、单调乏味的工作，个人情感的纠结，通过镜头连起来，内容饱满，情感真挚。
《Be home》
Art comes from life, but dramatizes life. By the form of " the record" for ordinary people's work and life, this is a story of home. This story is about Yang Yong’s choice between the family and his work who is an employee of Shuipoxia Hydropower Station. It is full of waiting, frustration and hope. The film with a soothing rhythm connect the city power station which is far away from the city, with the tedious work, and personal emotional entanglements, through a lens, in which has strong content and sincere emotion.